The Amazing Fresnel Lens

THOSE AMAZING, BRILLIANT, BEAUTIFUL, SUPER-EFFICIENT “MAGICAL LIGHT MACHINES” – Pictured and alluded to above, these are the words I use to describe the multi-prism glass lenses first made by Augustin Fresnel in France in the 1820s. They were soon in use in lighthouses throughout Europe, and in all U.S. lighthouses by the time of the Civil War. Prior to the introduction of these lenses, lighthouses had many individual oil lamps, as many as fifteen or twenty at a major seacoast light. Not only did these consume a tremendous amount of oil and were very labor intensive, but they weren’t all that bright, and couldn’t be seen from very far away. Fresnel’s lens required only a single lamp, thus saving both lots of fuel and lots of labor, and the prisms of the lens magnified and redirected the light source into horizontal beams of light that reached far out over the water. They truly revolutionized lighthouses. If you get a chance to visit a lighthouse or a museum with a Fresnel lens, you’ll also realize how simply beautiful they are too.

These lenses came in several sizes. The larger ones, referred to as 1st-Order, were used at seacoast sites where they needed to be seen at the greatest distance. Most Great Lake sites used mid-size, 3rd or 4th Order lenses. An “in-between size”, called a “Third and a half” was later developed and was frequently used. Smaller 5th and 6th-Order lenses were used on piers, breakwaters, and along our rivers. Almost all of the major firms producing these lenses were in Paris, France, and thus most American lighthouses had/have French-made lenses.

The left photo above shows the “Argand / Lewis” type lamp used before the advent of the Fresnel lenses. A polished reflector behind the lamp helped direct its light outward. Several to many of these, often hung in a chandelier arrangement were needed, particularly in major seacoast lights. The center photo is of a First Order “Fixed” (non-rotating) Fresnel lens. The rightmost photo shows a “Rotating” First Order lens with many “flash panels.” Note the center “bulls-eye” prism in each section.

The left photo above shows the rotating Chance Brothers (the major English lens manufacturer) First Order lens which is still in service in the lantern room of the Heceta Head, Oregon, lighthouse. The center photo is of a smaller Third Order “Fixed” lens once in use in Alaska. The right photo shows a smaller still Fifth Order lens. A red Chimney placed over the oil lamp inside created a RED light to the viewer. This was just one of the many ways that a special “Characteristic” could be created for each lighthouse. It was essential that the light from each individual lighthouse showed a different “look” or “pattern” from any other, particularly when a mariner could see more than one lighthouse from a given location. Otherwise, no matter how bright, it would only be “a light in the dark.”

Some lenses were “fixed”, they did not turn; they did not give the appearance of a “flash” to the viewer. Those that rotated have circular “bulls-eye” lens sections, often as many as 24 of them, as does the lens from the Destruction Island, Washington, lighthouse, now in a museum, shown at the top of this page. As the lens rotated around the light source, and as each “bulls-eye” passed between the light and the eye of the viewer, it gave the appearance of a bright flash. The timing between apparent flashes would let a mariner know exactly which lighthouse he was viewing. All lighthouses have something different about the appearance of their lights – known as the lighthouse’s “characteristic.” Otherwise mariners would not know which one was which in the dark. Some blink, some flash, some are different colors, some change colors, some are just big and bright.

Probably the most well known firm of French lens makers was that of HENRY-LEPAUTE (Le-Pout) of Paris. Many sources consistently list this firm as Henry Lepaute, or as Henry LePaute, as if Henry were a first name and Lepaute a surname. This is incorrect. Augustin Michael Henry, whose family was a major clock making family in France, began to work with Augustin Fresnel in 1825, designing the clockworks that would power the revolving lenses for lighthouses. He continued working with the Fresnel brothers supplying clockworks and later the lenses themselves, and opened his own factory in 1838. Augustin Henry’s mother’s maiden name was Paute. Her brothers were the Royal clockmakers to the French King from the 1750s. In 1854, Henry requested and received permission to add his mother’s maiden name to his, changing his last name and that of the company to Henry-Lepaute, no doubt to further associate himself and his company with the prestigious name of the great clockwork company of the Pautes. There were probably more Henry-Lepaute lenses in American lighthouses than those of any of the other lens makers.

Some other French lens makers, almost all of which were located in Paris, are: Louis Sautter; Sautter, Lemonier et Cie; Soleil and Tabouret; Francois Barbier; Barbier and Fenestre; and Barbier Bernard & Turenne (BBT).

The earliest prisms were made of lead crystal glass, but this was found to chip easily. Such chips are apparent on the thin edges of many surviving lenses. Sodium was added to the glass when it was made, and the new product was called “crown glass”. It has a slight greenish hue, but is much less likely to chip.

As noted above, most of the major early manufacturers of Fresnel lenses were French firms, and thus the vast majority of such lenses installed in American lighthouses were made in France. An English firm by the name of CHANCE BROTHERS, of Birmingham, was also making these lenses by the 1860s, and displayed Fresnel lenses in 1867 at an Exposition in Paris. Almost all lenses in England, Ireland, Scotland, Wales, Canada, and other parts of the former British Empire were made by this firm. Chance Brothers lenses are found in some U.S. lighthouses, including Heceta Head, Oregon, pictured above. Wilhelm Weule also made these lenses in Germany – I’m not sure how early, nor if any were in use in the U.S. As lighthouses were found worldwide, there were most likely other makers in other countries.

The three photos above are of the manufacturer’s name as found on several lenses. From left to right they are BARBIER ET FENSTRE, CHANCE BROTHERS (the major English lens maker), and HENRY-LEPAUTE.

The name of the lens maker was often also found on a fancy plaque affixed to the pedestal of a “fixed” lens, or somewhere on the clockwork housing for a rotating one.

By the early 1900s, the Lighthouse Service was urging U.S. glassmakers to produce Fresnel lenses for lighthouses. One of the few American firms to do so was the MACBETH-EVANS Company of Pittsburgh PA. They built some smaller (3rd Order or less) lenses, many of which were installed in Great Lakes lighthouses. A number of American companies, notably Corning Glass of New York, also manufactured small Fresnel-style lenses for buoys, railroad signals, and vehicle applications. (Look at the tail-light on your own vehicle today. It is a Fresnel lens.) By this time however, the greatest lighthouse-building period in U.S. history was over, so in fairness to American glass producers, the market just wasn’t there.

MORE MODERN LENSES – Although the light they created was truly efficient and magical, the care and maintenance of Fresnel lenses, especially the larger ones was significant. Thus beginning in the 1950s, with the coming of electricity to the generally remote sites of lighthouses, the Coast Guard began to replace many of the Fresnels with “more modern” optics. Sadly many Fresnels were lost or destroyed over time. Fortunately many still remain either still in a lighthouse lantern room, or at least in a museum where they can be seen and appreciated. The debate over the proper care and restoration of Fresnel lenses remains a hot topic in lighthouse circles.

The photos below show a variety of the lenses that have replaced Fresnels and may yet be found in lighthouses today. The “state of the art” as of this writing are the LED “Pancake” type lenses, seen in the center photo, that can be stacked one to many as the required brightness demands.